1. Britain in focus: A Photographic History
- Not seen a real daguerrotype before, only in books, so this was fascinating to see.
- Noted how Cameron would defocus to create a soft effect.
- Learning that US soldiers would purchase daguerrotypes in junk shops, discard the photo then use the holder to store items made me reflect on how much of our archives are lost. Cameron is prominent in history as she had good contacts, was wealthy and photographed famous people. But how many local photographers were doing good work, exploring new boundaries, but we never knew?
- Parr reminds us to photograph the banal…as that is tomorrow’s curiosity.
- The soldeirs took a risk – but these are the only records we now have for some aspects of the war (unsanitized by the propaganda machine)
- Smaller exhibition than expected – is this really a celebration of out best wotk over the years? Or have much of Bradford’s archives now been relocated to london i wonder?
2. Pinhole Camera
- A beautiful ethereal feel to the images, dreamy, otherworldly. Evokes the work of Francesca Woodman in feel if not in technique.
- Sarah van Keuren: pinhole cameras need long shutter speeds so they hold a collection of expressions, not just a single frozen moment. “Seems to get at a certain hidden truth” about the character of the subject. This is something ive reflected on before, how a portrait, a single moment, can never fully represent a full person as they cannot be ‘all of themselves in 1/125th of a second.
- I’ve been working more with black and white film cameras lately. Theres s connection, a richness, a less-clinical and more emotional representation that appeals to me. How can i apply pinhole photography to my practice to develop this idea further?
3. Mother River, Yan Wang Preston
- An ambitious project, following the Yangtze River for its length of 6,211km and taking 63 photographs with a large format camera exactly 100km apart.
- As a group we explored whether this was a good strategy or not. How many exellent photo opportunities were excluded because they were not exactly on a 100km ‘Y Point? Some images were not particulary interesting. However i took a different view. This made it authentic, not artificially enhanced by picking only the good bits. If three quarters of the images were strong, then I can believe that three quarters of the river is interesting in real life. I feel I’m being shown the truth.
- The work reminded me strongly of a similar project i understook last summer, to walk the entire 15mile length of my local River, the Amber. Instead of taking photos at fixed points however i took them at the interesting bits. Which i more successful? It depends on the viewer’s sense of connection with the land i would argue, not just the images themselves.
- Had a really good chat with the tutor/leader on the study visit about the use of blogs. I thought i was expected to fill my blog with reviews as evidence of having read books, etc. However this is not the case, making the blog too verbose for assessors to review and diverting from its msin purpose of being a place to refect, show learning and to critique. Ive taken a different approach with this post with this in mind.
- Other advice was to keep my work personal and interesting. Dont be scared to take risks, say more about who I am, what I like – and brave enough to say what I don’t.
- As ever, great company from my fellow students. Discussing and sharing makes the course ‘come alive’ and i always come back more motivated and inspired in my studies.